The reason I went into mathematics in the first place was because it seemed to be the most elusive of all the arts. It took 8 years of serious study to even begin to understand the medium and begin to work with it in a creative way. Math is art. I wouldn't be a math professor otherwise.

oil paint, acrylic paint, Posca marker, pen and ink, charcoal, conte crayon, gouache, watercolor, sumi ink, wire sculpting, cheesecloth and wax, plaster molds, pottery, b&w, color and pinhole photography, mathematics, wallpaper, Goldsworthy-esque land art, graphic design, street art, stencil graffiti, wood carving, stone carving, legos, activist art, performance art, endurance art, interactive art, conceptual art, postmodern, realism, surrealism, contemporary.

Paintings

Drawings

Photography

Semi-series

2006: Self-Portraits as Other People's Preconceptions, installation of eight paintings, oil on canvas, 60inX36in, Evoke/Invoke/Provoke, Judy Chicago and Donald Woodman's A Multimedia Project of Discovery, Cohen Gallery.

2004: Meret's Nambu, painting, oil on canvas, 50inX30in, Sarratt Student Art Show.

2002: Mentally Bound, sculpture piece, wax; cheesecloth; wood; chicken wire, 52inX25inX28in, University of Louisville Student Art Show.

2007: Review of work: S. Knowles, Judy Chicago and Donald Woodman at Vanderbilt, Sculpture Magazine, March 2007 issue Vol. 26 No. 2.

2006: D. Maddox, Chicago in Nashville, Nashville Scene article, 4/13/2006.